The scattering colors and textures of the world on paper come together in a playful cadence in Zander Raymond’s Facsimiles. Raymond is as much a collage artist as a curator of esoteric materials; the elegant curves of note cards’ notched slots, the jaunty lining on an interoffice memo, these seemingly ordinary materials are seen, not for their utility, but for their own charming qualities.They don personalities here. Highly organized compositions are accompanied by playful interventions; letraset alphabets grow disjointed and become wordless music, scrawls of pen and graphite dance across the page, silk screen prints layer, define, refine, and confine colors, textures, surfaces. In considering these worthless things they become richer, they become realer than ever before, and printed here, they return to abstraction, their charms intact.